March 13, 2012

In Search of The Perfect Runner

The Perfect Runner celebrates the modern love of long-distance running by exploring our evolutionary past as a species defined by its ability to run. In the film we learn how humans are nature’s perfect endurance runners. With a skill that evolved far earlier than the development of our powerful brains, our African ancestors had the ability to outrun all the animals around them, allowing them to endure and ultimately thrive.

From Africa’s Great Rift Valley to the highlands of Ethiopia, from the most remote place in Arctic Siberia to one of the world's toughest ultra-marathons in the Canadian Rockies, Gemini-winning anthropologist and host Niobe Thompson takes us on a journey that connects science with adventure, and asks what today’s runners can learn from our evolutionary past.

In my interview with Thompson, he made the point that "the more money we spend on running shoes, the more injuries we seem get." So what exactly is happening? Daniel Lieberman's research is helping us understand what may be behind these injuries. In the film, we meet Dr. Lieberman who is known as the father of the barefoot running movement. In a recent study of running biomechanics, Lieberman has shown how modern running shoes encourage a running style humans were never evolved to withstand, and which likely underpins the epidemic in running injuries we see today. With running shoes, we are landing on our heels; thus, accumulating stress over time that can lead to injuries. If we land on our forefoot, we would push back up especially if the foot is strong. This was the case thousand of years ago, our feet were much stronger since we had no specialized shoes and in turn, we would land on our forefoot when naturally running. Due to Liebeman and his colleagues' research, the running shoe industry is undergoing a big change.

In Ethiopia, we see that children grow up running in bare feet. This is due to the level of poverty in the country and the nature of life there. Yet they grow up "to build a runner's body; a complete body." Running has now become a way of out poverty. When we see young runners at the National Championship, they are wearing running shoes but their feet are shaped differently.  Their feet are more supple; they land on their forefoot. Theybenefit of that spring and get that energy back.

In Chukotka (Arctic Siberia), Thompson visits a group of herders. In Chukotka, where natural selection has been very strong. They have to run next to thee large animals and the tundra is never flat; your ankles are often being abused puts it in perspective. Running is part of their everyday life. This helps is yet more evidence that humans can in fact be effective runners.

In Canada, Dr. Larry Bell is training Olympic hopefuls by drawing from the “natural running” lessons he learned in Africa.

The Perfect Runner, behind the scenes in Extreme Slow Motion from Niobe Thompson on Vimeo.

As seeing from the clip here, there are athletes who are indeed perfect runners. When I asked Thompson, (who's an avid runner) if his technique has changed over time, the explained that before starting the film, he'd experienced all kinds of injuries from running. He thought he was done with running. The film helped get him back to running. He was always a heel striker; he has now shifted to landing on the forefront.

We also talked about how this film can be used as an educational tool. It is interesting to learn that human beings are nature's fastest endurance runners. It's fascinating to look at  how the body has features that were designed for running and nothing else. In Thompson's words, "science can be an adventure and this is what we try to do with our documentaries. This is an important role that television and the media can take a part in. It's really important for kids to see that science is fascinating. We have to find interesting ways to ask questions to inspire future generations of scientists".

What Thompson is trying to do with this film is to flip our perception of extreme behaviour. We often think of extreme sports as things that athletes do. "Considering our evolutionary history and the body we were given by evolution, the extreme activity is sitting in front of the computer, is driving the car all day, is not being active, is lying on the couch every night...it's not being active. And that is going to lead into problems... what is 'normal' is walking, running, being active."

The Perfect Runner airs Thursday on CBC's The Nature of Things (check local listings). After seeing the film, you can also partake in the Journey by visiting the film's website.


March 8, 2012

The Genie Awards 2012: Winners and more!

The Genie Awards were awarded in Toronto tonight. The big winner of the night was Philippe Falardeau's Monsieur Lazhar, which won six trophies, including Best Motion Picture, Achievement in Direction, and Best Adapted Screenplay.


David Cronenberg's A Dangerous Method received five Genies, including best Performance by an Actor in a Supporting Role for Viggo Mortensen.


The Québécois film Starbuck took home an additional two Genies tonight. Starbuck had previously being declared the Cineplex Golden Reel Award winner.

Richard Crouse kept us in the loop in the media room and all in all, I had a great time! These are but highlights from tonight. You can find the full list of winner here as well as more updates.

February 23, 2012

El Naturalista..."Walking through Life"..."Caminar por la Vida"

The best way to describe El Naturalista shoes is comfort...Like Juan de la Peña (international sales manager) explained to us at a sneak-peek of their Spring/Summer 2012 collection, that is one of the main features of their footwear. Yet there is a lot more to the shoes and the company behind them.

El Naturalista footwear is the result of a group of people who dared to dream that a business could run on the philosophies of social commitment and transformation. Based on this approach, El Naturalista was created with a clear idea of making a different product. One that is comfortable, colourful, and fun; as well as, capable of transmitting values with a strong social, sustainable and environmental component. It was this notion that led to the concept of the 3 P’s, which became the foundation for El NaturalistaPeople, Planet and Product.

As de la Peña shared with us, El Naturalista believes that every person, firm, entity, and institution can be an agent of social transformation able to promote and strengthen positive values to enable a new business culture. From its inception, El Naturalista wanted to share its journey with all people regardless of race, language or culture.

El Naturalista also employs a separate corporate social responsibility department, solely responsible for allocating a portion of profits from each shoe sold to four different charities in Peru, Haiti, Tanzania and Japan, as well as several other regional charities in Spain. Since its creation, El Naturalista has supported a number of causes to which it has donated over 215,000 Euros and 9,000 pairs of shoes. It has recently launched an international award, in which the 40 countries the brand is present in take part. With a prize amount of 40,000 Euros, the El Naturalista Award will award a prize to a childcare project carried out in one of these 40 countries.


El Naturalista products, rather than ecological, are respectful to nature. As well, it’s not only the materials used to make these shoes that make them special. El Naturalista brings together the latest technologies with shoemaking traditions by using a special hand-stitching technique to produce many of its models. The comfort and quality of the shoes is guaranteed. I own a pair and know others who own El Naturalista shoes and simply love them.

The philosophy to put people first is evident in speaking with de la Peña a few minutes. It is in sharing the story of how the company came to be and how their work translates into helping others that is more interesting that any detail I can give you about the craftsmanship in their footwear. If you have yet to discover the comfort of El Naturalista shoes, I suggest you go use their store locator and go try on a pair. You will not be disappointed.

Para mis lectores que hablan español: Si todavía no conocen esta línea de calzado, se las recomiendo muchísimo. No solo porque el calzado es cómodo si no porque también han destinado parte de cada una de sus ventas a proyectos sociales. Especialmente de apoyo a la infancia. Y encima de esto, muy pronto vamos a tener la oportunidad de donar un porcentaje de nuestra compra a uno de los proyectos que la compañía tiene en marcha. Para obtener más información de El Naturalista, sus productos y proyectos, les invito que visiten su página web www.elnaturalista.com.

February 16, 2012

presents
CONVERSATIONS ON THE GREEN
with
Monday, February 27, 7:30pm


As a Canadian politician, diplomat and international envoy for humanitarian efforts, Stephen Lewis has dedicated himself to improving the human condition. Formerly the UN Secretary-General’s Special Envoy for HIV/AIDS in Africa, Stephen Lewis is Chair of the Board of the Stephen Lewis Foundation in Canada, Distinguished Visiting Professor at Ryerson University in Toronto, and Co-Director of AIDS-Free World, an international AIDS advocacy organization based in the United States.

Mr. Lewis is a member of the Board of Directors of the Clinton Health Access Initiative (CHAI) and an Emeritus Board member of the International AIDS Vaccine Initiative (IAVI). He also serves as a Commissioner on the Global Commission on HIV and the Law, created by the United Nations Development Program (UNDP) with the support of the Joint United Nations Program of HIV/AIDS (UNAIDS).

Founded in 2006, the Harold Green Jewish Theatre Company is Toronto’s only professional theatre company established to celebrate, illuminate and share Jewish culture.

Conversations on the Green with Stephen Lewis will take place Monday, February 27th at the Jane Mallett Theatre, St. Lawrence Centre for the Arts. Individual tickets are $36.00 and are available by calling 416.366.7723, online at www.stlc.ca or at the door.

Material source: FLIP Publicity 
Photo creditHarold Green Jewish Theatre Company

February 15, 2012

Grand Opening of the Newly Renovated Bloor Hot Docs Cinema Coming Soon!

The wait is over! The Bloor Hot Docs Cinema will have its grand opening on Wednesday, March 14, amidst a celebratory week of special screenings and events for both the general public and invited guests. Hot Docs Canadian International Documentary Festival and Blue Ice Group announced today.

“This partnership is a game-changer for Hot Docs and great news for Toronto’s film lovers,” says Chris McDonald, executive director of Hot Docs. “Investors were anxious to purchase and develop the property but the Bordonaro family was determined to leave the Bloor in cinema-loving hands. Hot Docs and Blue Ice are anxious to meet this challenge. In an era where arts and culture are at risk of funding cuts and indifference from some quarters, this is one of Toronto’s good news stories of the year. We are thrilled.”

“Toronto has amazing film audiences, many of whom make up Hot Docs’ enormous community of documentary fans,” says Blue Ice Group principal Neil Tabatznik. “We are happy that this partnership will rejuvenate the Bloor as a home for docs, where Toronto’s film-lovers will have the chance to experience incredible stories year-round.”

Prior to the grand opening, the public are invited to experience the new cinema at two FREE open-house screenings of Hot Docs 2010 hit Wasteland on Monday, March 12, and Tuesday, March 13, at 7:00 p.m. A multiple award winner, Wasteland follows acclaimed visual artist Vik Muniz and his remarkable work with pickers at the world’s largest landfill site in Brazil.

The Cinema’s scheduled public programming will begin on Friday, March 16, with screenings of Being Elmo: A Pupeteer's Journey, the heart-warming story of Kevin Clash, the shy puppeteer behind everyone’s favourite Muppet; and the Toronto premiere of Corman's World: The Exploits of a Hollywood Rebel, a star-studded tribute to Hollywood’s most prolific writer-director-producer and his cult-film empire. Both films begin their limited theatrical engagements at the cinema.

For those of us who've missed The Bloor, this is an exciting announcement. Toronto will have a venue where we can enjoy some of our favourite documentaries and discover new ones still. Kudos to Hot Docs and Blue Ice!

February 10, 2012

Theatre Notes - Beckett: Feck It!

Beckett: Feck it!, a world premiere production from Queen of Puddings in association with Canadian Stage, is a provocative and elegiac show that juxtaposes shorter plays of Samuel Beckett with contemporary classical music from outstanding Irish composers inspired by his appreciation for the absurd.

This new production reunites the renowned Canadian Beckett director Jennifer Tarver with Dáirine Ní Mheadhra & John Hess (music direction), and showcases a dynamic Canadian cast comprised of actors Laura Condlln, Michal Grzejszczak, Tom Rooney, and Sofia Tomic, sharing the stage with soprano Shannon Mercer and trumpet player Michael Fedyshyn. Queen of Puddings brings their signature contemporary twist to this invigorating evening of music, theatre, and Irish madness.

I had the chance to pose a few questions to artistic director Dáirine Ní Mheadhra. Here is our exchange...

HM: Once you had decided on Beckett for this year's production, how did you narrow down the featured plays in Beckett: Feck it!?

DNM: We wanted to do shorter plays of Beckett, as any of the long ones would be a whole evening in themselves and we wanted to add music to the show so that wasn’t possible. Our choices were made from plays John Hess (my Co-Artistic Director) and I had seen over the years, along with talking to Jennifer Tarver [director].


HM: In the video you discuss your choice of music for this production. Was the fact that Beckett was 'obsessed' with classical music part of the reason in your choice of contemporary composers?

DNM: Classical music was a constant and important ingredient in Beckett’s life and he himself was a very good pianist. Music had always been for him the art form that came closest to pure spirit. In shaping his plays he drew on his knowledge of musical structures and terminology, repetition and repetition with variation, counterpoint, and changes of key, rhythm, tempo, and pitch.

HM: Could you please discuss the cast involved in this production and how you combine the actors with a soprano and a trumpet player?

DNM: Jennifer [Tarver] chose the actors and John and I chose the singer and trumpeter. The music in the show happens in juxtaposition to the plays, not together, so it was easy to incorporate the cast. Ultimately the show was conceived because I was very homesick for Ireland and Beckett’s Irish humour came into my head and that was followed with thinking how Irishness was manifest in Irish contemporary music and then I thought about putting the two things together, as we don’t tend to think of Beckett as Irish given that he has such an international reach.

HM: Lastly, has anything like this been done with Beckett's short plays here in Canada or even in Ireland, that you know of?

DNM: As far as I know, nothing like this has been done either here or in Ireland.

Beckett: Feck It! runs at the Berkeley Street Theatre Downstairs from February 17th to the 25th. Most performances are selling out! You can get ticketing info or order tickets online at www.canadianstage.com

January 28, 2012

Human Rights Watch Film Festival 2012


The 9th annual Toronto Human Rights Watch Film Festival will open on February 29 with the screening of director Fernand Melgar’s critically acclaimed documentary Special Flight, which focuses on the plight of refugees seeking asylum in Switzerland’s Frambois Detention Centre.

The Festival will run until Friday, March 9. All screenings take place at 8 pm at the TIFF Bell Lightbox. Here is their full schedule:

February 29thSpecial Flight (Vol Special) 


Habibi


March 1stHabibi

March 2ndThe Bully Project

March 3rdColor of  the Ocean





March 4thBurma Soldier





March 6thThis is my Land…Hebron

March 7thThe Price of Sex

March 8thGranito: How to Nail a Dictator






March 9th The Island President


For those of us who missed some of these films during their festival run last year, this is a great opportunity to finally see them and join in the discussion.

Tickets to the Human Rights Watch Film Festival are available at the door for most screenings or can be purchased in advance online at tiff.net, by phone at 416-599-TIFF (8433), or in person at TIFF Bell Lightbox Box Office, Reitman Square, 350 King Street West, Toronto.

**For tickets to the Closing Night Reception, please call Human Rights Watch Canada at 416-322-8448.